Performance Calendar

Die Zauberflöte (The Magic Flute)
Jan
19
7:00 PM19:00

Die Zauberflöte (The Magic Flute)

Mozart’s most popular opera is a deeply humane story of adventure with heavenly music.

DIE ZAUBERFLÖTE
An opera in two acts, with one intermission
Libretto by Emanuel Schikaneder

Performed in German with German and English subtitles

James will be performing on Sep 6th and 13th; and on Jan 5th, 12th, 19th, and 31st.

Featuring:

Free introductory talk held in the Semper Opera House basement 45 minutes before curtain

View Event →
Die Zauberflöte (The Magic Flute)
Jan
31
7:00 PM19:00

Die Zauberflöte (The Magic Flute)

Mozart’s most popular opera is a deeply humane story of adventure with heavenly music.

DIE ZAUBERFLÖTE
An opera in two acts, with one intermission
Libretto by Emanuel Schikaneder

Performed in German with German and English subtitles

James will be performing on Sep 6th and 13th; and on Jan 5th, 12th, 19th, and 31st.

Featuring:

Free introductory talk held in the Semper Opera House basement 45 minutes before curtain

View Event →
Káťa Kabanová
Mar
17
7:00 PM19:00

Káťa Kabanová

In Leoš Janáček’s opera, Kát’a Kabanová, the eponymous heroine is ensnared at the heart of an ominous mesh of relations. Her domineering mother-in-law, Kabanicha, oppresses and controls her son Tichon, whose marriage to Kát’a suffers massively from heteronomy. Because Kát’a finds no fulfilment in this family, she flees and fulfils her unsatisfied erotic desires in an affair with Boris. As composer and librettist, Janáček bundles the plot of the literary template, Alexander N. Ostrovsky’s drama, The Storm. The libretto largely dispenses with the portrayal of the external social circumstances, from whence Kát’a’s essence and choices are decisively determined. Instead, Janáček traces the development of the title character in a psychological-sensitive musical language. Kát’a’s feelings of guilt increase continuously until they discharge into a public confession as an emotional storm. The turbulent and in places fanciful music opens the space for passages of lyrical grace and allows us to experience the essence of the characters. In Kát’a, director Krzysztof Warlikowski sees an outsider, who is denied a life in harmony with her desires, and at the end prefers death over lies. The destructive power of religion behind it all is not only found in a small Russian town on the banks of the Volga in the 1860s, where the libretto places the plot, but rather can also be seen everywhere all over the world.

Cast

  • Bayerisches Staatsorchester

  • Chorus of the Bayerische Staatsoper

View Event →
Káťa Kabanová
Mar
21
7:00 PM19:00

Káťa Kabanová

In Leoš Janáček’s opera, Kát’a Kabanová, the eponymous heroine is ensnared at the heart of an ominous mesh of relations. Her domineering mother-in-law, Kabanicha, oppresses and controls her son Tichon, whose marriage to Kát’a suffers massively from heteronomy. Because Kát’a finds no fulfilment in this family, she flees and fulfils her unsatisfied erotic desires in an affair with Boris. As composer and librettist, Janáček bundles the plot of the literary template, Alexander N. Ostrovsky’s drama, The Storm. The libretto largely dispenses with the portrayal of the external social circumstances, from whence Kát’a’s essence and choices are decisively determined. Instead, Janáček traces the development of the title character in a psychological-sensitive musical language. Kát’a’s feelings of guilt increase continuously until they discharge into a public confession as an emotional storm. The turbulent and in places fanciful music opens the space for passages of lyrical grace and allows us to experience the essence of the characters. In Kát’a, director Krzysztof Warlikowski sees an outsider, who is denied a life in harmony with her desires, and at the end prefers death over lies. The destructive power of religion behind it all is not only found in a small Russian town on the banks of the Volga in the 1860s, where the libretto places the plot, but rather can also be seen everywhere all over the world.

Cast

  • Bayerisches Staatsorchester

  • Chorus of the Bayerische Staatsoper

View Event →
Káťa Kabanová
Mar
24
7:00 PM19:00

Káťa Kabanová

In Leoš Janáček’s opera, Kát’a Kabanová, the eponymous heroine is ensnared at the heart of an ominous mesh of relations. Her domineering mother-in-law, Kabanicha, oppresses and controls her son Tichon, whose marriage to Kát’a suffers massively from heteronomy. Because Kát’a finds no fulfilment in this family, she flees and fulfils her unsatisfied erotic desires in an affair with Boris. As composer and librettist, Janáček bundles the plot of the literary template, Alexander N. Ostrovsky’s drama, The Storm. The libretto largely dispenses with the portrayal of the external social circumstances, from whence Kát’a’s essence and choices are decisively determined. Instead, Janáček traces the development of the title character in a psychological-sensitive musical language. Kát’a’s feelings of guilt increase continuously until they discharge into a public confession as an emotional storm. The turbulent and in places fanciful music opens the space for passages of lyrical grace and allows us to experience the essence of the characters. In Kát’a, director Krzysztof Warlikowski sees an outsider, who is denied a life in harmony with her desires, and at the end prefers death over lies. The destructive power of religion behind it all is not only found in a small Russian town on the banks of the Volga in the 1860s, where the libretto places the plot, but rather can also be seen everywhere all over the world.

Cast

  • Bayerisches Staatsorchester

  • Chorus of the Bayerische Staatsoper

View Event →
Káťa Kabanová
Mar
27
7:00 PM19:00

Káťa Kabanová

In Leoš Janáček’s opera, Kát’a Kabanová, the eponymous heroine is ensnared at the heart of an ominous mesh of relations. Her domineering mother-in-law, Kabanicha, oppresses and controls her son Tichon, whose marriage to Kát’a suffers massively from heteronomy. Because Kát’a finds no fulfilment in this family, she flees and fulfils her unsatisfied erotic desires in an affair with Boris. As composer and librettist, Janáček bundles the plot of the literary template, Alexander N. Ostrovsky’s drama, The Storm. The libretto largely dispenses with the portrayal of the external social circumstances, from whence Kát’a’s essence and choices are decisively determined. Instead, Janáček traces the development of the title character in a psychological-sensitive musical language. Kát’a’s feelings of guilt increase continuously until they discharge into a public confession as an emotional storm. The turbulent and in places fanciful music opens the space for passages of lyrical grace and allows us to experience the essence of the characters. In Kát’a, director Krzysztof Warlikowski sees an outsider, who is denied a life in harmony with her desires, and at the end prefers death over lies. The destructive power of religion behind it all is not only found in a small Russian town on the banks of the Volga in the 1860s, where the libretto places the plot, but rather can also be seen everywhere all over the world.

Cast

  • Bayerisches Staatsorchester

  • Chorus of the Bayerische Staatsoper

View Event →
Káťa Kabanová
Mar
30
7:00 PM19:00

Káťa Kabanová

In Leoš Janáček’s opera, Kát’a Kabanová, the eponymous heroine is ensnared at the heart of an ominous mesh of relations. Her domineering mother-in-law, Kabanicha, oppresses and controls her son Tichon, whose marriage to Kát’a suffers massively from heteronomy. Because Kát’a finds no fulfilment in this family, she flees and fulfils her unsatisfied erotic desires in an affair with Boris. As composer and librettist, Janáček bundles the plot of the literary template, Alexander N. Ostrovsky’s drama, The Storm. The libretto largely dispenses with the portrayal of the external social circumstances, from whence Kát’a’s essence and choices are decisively determined. Instead, Janáček traces the development of the title character in a psychological-sensitive musical language. Kát’a’s feelings of guilt increase continuously until they discharge into a public confession as an emotional storm. The turbulent and in places fanciful music opens the space for passages of lyrical grace and allows us to experience the essence of the characters. In Kát’a, director Krzysztof Warlikowski sees an outsider, who is denied a life in harmony with her desires, and at the end prefers death over lies. The destructive power of religion behind it all is not only found in a small Russian town on the banks of the Volga in the 1860s, where the libretto places the plot, but rather can also be seen everywhere all over the world.

Cast

  • Bayerisches Staatsorchester

  • Chorus of the Bayerische Staatsoper

View Event →
Lucia di Lammermoor
Apr
20
7:00 PM19:00

Lucia di Lammermoor

On the path to madness: Lucia may not love whom she chooses.

Opera in three acts
Poetry by Salvatore Cammarano based on Walter Scott's novel »The Bride of Lammermoor«

Performed in Italian with German and English supertitles

Premiere
November 18, 2017

Conductor  Roberto Rizzi Brignoli

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Lucia di Lammermoor
Apr
25
7:00 PM19:00

Lucia di Lammermoor

On the path to madness: Lucia may not love whom she chooses.

Opera in three acts
Poetry by Salvatore Cammarano based on Walter Scott's novel »The Bride of Lammermoor«

Performed in Italian with German and English supertitles

Premiere
November 18, 2017

Conductor  Roberto Rizzi Brignoli

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Lucia di Lammermoor
Apr
29
7:00 PM19:00

Lucia di Lammermoor

On the path to madness: Lucia may not love whom she chooses.

Opera in three acts
Poetry by Salvatore Cammarano based on Walter Scott's novel »The Bride of Lammermoor«

Performed in Italian with German and English supertitles

Premiere
November 18, 2017

Conductor  Roberto Rizzi Brignoli

View Event →
Lucia di Lammermoor
May
4
7:00 PM19:00

Lucia di Lammermoor

On the path to madness: Lucia may not love whom she chooses.

Opera in three acts
Poetry by Salvatore Cammarano based on Walter Scott's novel »The Bride of Lammermoor«

Performed in Italian with German and English supertitles

Premiere
November 18, 2017

Conductor  Roberto Rizzi Brignoli

View Event →
Lucia di Lammermoor
May
8
7:00 PM19:00

Lucia di Lammermoor

On the path to madness: Lucia may not love whom she chooses.

Opera in three acts
Poetry by Salvatore Cammarano based on Walter Scott's novel »The Bride of Lammermoor«

Performed in Italian with German and English supertitles

Premiere
November 18, 2017

Conductor  Roberto Rizzi Brignoli

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Händel - Saul
Jun
1
6:00 PM18:00

Händel - Saul

Saul and David: When the power struggle does not spare the family.

Oratorio in three acts
Libretto by Charles Jennens after the 1st and 2nd Books of Samuel

In English with German and English subtitles

Premiere
June 1, 2025

Conductor  Leo Hussain

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Händel - Saul
Jun
3
7:00 PM19:00

Händel - Saul

Saul and David: When the power struggle does not spare the family.

Oratorio in three acts
Libretto by Charles Jennens after the 1st and 2nd Books of Samuel

In English with German and English subtitles

Premiere
June 1, 2025

Conductor  Leo Hussain

View Event →
Händel - Saul
Jun
13
7:00 PM19:00

Händel - Saul

Saul and David: When the power struggle does not spare the family.

Oratorio in three acts
Libretto by Charles Jennens after the 1st and 2nd Books of Samuel

In English with German and English subtitles

Premiere
June 1, 2025

Conductor  Leo Hussain

View Event →
Händel - Saul
Jun
20
7:00 PM19:00

Händel - Saul

Saul and David: When the power struggle does not spare the family.

Oratorio in three acts
Libretto by Charles Jennens after the 1st and 2nd Books of Samuel

In English with German and English subtitles

Premiere
June 1, 2025

Conductor  Leo Hussain

View Event →
Händel - Saul
Jun
25
7:00 PM19:00

Händel - Saul

Saul and David: When the power struggle does not spare the family.

Oratorio in three acts
Libretto by Charles Jennens after the 1st and 2nd Books of Samuel

In English with German and English subtitles

Premiere
June 1, 2025

Conductor  Leo Hussain

View Event →
Händel - Saul
Jun
29
7:00 PM19:00

Händel - Saul

Saul and David: When the power struggle does not spare the family.

Oratorio in three acts
Libretto by Charles Jennens after the 1st and 2nd Books of Samuel

In English with German and English subtitles

Premiere
June 1, 2025

Conductor  Leo Hussain

View Event →
Händel - Saul
Jul
2
7:00 PM19:00

Händel - Saul

Saul and David: When the power struggle does not spare the family.

Oratorio in three acts
Libretto by Charles Jennens after the 1st and 2nd Books of Samuel

In English with German and English subtitles

Premiere
June 1, 2025

Conductor  Leo Hussain

View Event →
Káťa Kabanová
Jul
7
7:00 PM19:00

Káťa Kabanová

In Leoš Janáček’s opera, Kát’a Kabanová, the eponymous heroine is ensnared at the heart of an ominous mesh of relations. Her domineering mother-in-law, Kabanicha, oppresses and controls her son Tichon, whose marriage to Kát’a suffers massively from heteronomy. Because Kát’a finds no fulfilment in this family, she flees and fulfils her unsatisfied erotic desires in an affair with Boris. As composer and librettist, Janáček bundles the plot of the literary template, Alexander N. Ostrovsky’s drama, The Storm. The libretto largely dispenses with the portrayal of the external social circumstances, from whence Kát’a’s essence and choices are decisively determined. Instead, Janáček traces the development of the title character in a psychological-sensitive musical language. Kát’a’s feelings of guilt increase continuously until they discharge into a public confession as an emotional storm. The turbulent and in places fanciful music opens the space for passages of lyrical grace and allows us to experience the essence of the characters. In Kát’a, director Krzysztof Warlikowski sees an outsider, who is denied a life in harmony with her desires, and at the end prefers death over lies. The destructive power of religion behind it all is not only found in a small Russian town on the banks of the Volga in the 1860s, where the libretto places the plot, but rather can also be seen everywhere all over the world.

Cast

  • Bayerisches Staatsorchester

  • Chorus of the Bayerische Staatsoper

View Event →

Die Zauberflöte (The Magic Flute)
Jan
12
7:00 PM19:00

Die Zauberflöte (The Magic Flute)

Mozart’s most popular opera is a deeply humane story of adventure with heavenly music.

DIE ZAUBERFLÖTE
An opera in two acts, with one intermission
Libretto by Emanuel Schikaneder

Performed in German with German and English subtitles

James will be performing on Sep 6th and 13th; and on Jan 5th, 12th, 19th, and 31st.

Featuring:

Free introductory talk held in the Semper Opera House basement 45 minutes before curtain

View Event →
Die Zauberflöte (The Magic Flute)
Jan
5
7:00 PM19:00

Die Zauberflöte (The Magic Flute)

Mozart’s most popular opera is a deeply humane story of adventure with heavenly music.

DIE ZAUBERFLÖTE
An opera in two acts, with one intermission
Libretto by Emanuel Schikaneder

Performed in German with German and English subtitles

James will be performing on Sep 6th and 13th; and on Jan 5th, 12th, 19th, and 31st.

Featuring:

Free introductory talk held in the Semper Opera House basement 45 minutes before curtain

View Event →
Handel's Messiah with the Toronto Symphony Orchestra
Dec
22
3:00 PM15:00

Handel's Messiah with the Toronto Symphony Orchestra

Rejoice greatly! Jean-Sébastien Vallée leads your TSO and the vibrant voices of the Toronto Mendelssohn Choir along with four outstanding soloists in a resplendent rendition of Handel’s beloved oratorio. Gather friends and family for Toronto’s grand musical holiday tradition—a majestic performance that will leave you singing "Hallelujah!"

Jean-Sébastien Vallée: Conductor & TMC Artistic Director

Sherezade Panthaki: Soprano

Nicholas Burns: Countertenor

James Ley: tenor

Enrico Lagasca: Bass-baritone

Toronto Mendelssohn Choir

Toronto Symphony Orchestra

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Handel's Messiah with the Toronto Symphony Orchestra
Dec
21
8:00 PM20:00

Handel's Messiah with the Toronto Symphony Orchestra

Rejoice greatly! Jean-Sébastien Vallée leads your TSO and the vibrant voices of the Toronto Mendelssohn Choir along with four outstanding soloists in a resplendent rendition of Handel’s beloved oratorio. Gather friends and family for Toronto’s grand musical holiday tradition—a majestic performance that will leave you singing "Hallelujah!"

Jean-Sébastien Vallée: Conductor & TMC Artistic Director

Sherezade Panthaki: Soprano

Nicholas Burns: Countertenor

James Ley: tenor

Enrico Lagasca: Bass-baritone

Toronto Mendelssohn Choir

Toronto Symphony Orchestra

View Event →
Handel's Messiah with the Toronto Symphony Orchestra
Dec
20
8:00 PM20:00

Handel's Messiah with the Toronto Symphony Orchestra

Rejoice greatly! Jean-Sébastien Vallée leads your TSO and the vibrant voices of the Toronto Mendelssohn Choir along with four outstanding soloists in a resplendent rendition of Handel’s beloved oratorio. Gather friends and family for Toronto’s grand musical holiday tradition—a majestic performance that will leave you singing "Hallelujah!"

Jean-Sébastien Vallée: Conductor & TMC Artistic Director

Sherezade Panthaki: Soprano

Nicholas Burns: Countertenor

James Ley: tenor

Enrico Lagasca: Bass-baritone

Toronto Mendelssohn Choir

Toronto Symphony Orchestra

View Event →
Handel's Messiah with the Toronto Symphony Orchestra
Dec
18
8:00 PM20:00

Handel's Messiah with the Toronto Symphony Orchestra

Rejoice greatly! Jean-Sébastien Vallée leads your TSO and the vibrant voices of the Toronto Mendelssohn Choir along with four outstanding soloists in a resplendent rendition of Handel’s beloved oratorio. Gather friends and family for Toronto’s grand musical holiday tradition—a majestic performance that will leave you singing "Hallelujah!"

Jean-Sébastien Vallée: Conductor & TMC Artistic Director

Sherezade Panthaki: Soprano

Nicholas Burns: Countertenor

James Ley: tenor

Enrico Lagasca: Bass-baritone

Toronto Mendelssohn Choir

Toronto Symphony Orchestra

View Event →
Handel's Messiah with the Toronto Symphony Orchestra
Dec
17
8:00 PM20:00

Handel's Messiah with the Toronto Symphony Orchestra

Rejoice greatly! Jean-Sébastien Vallée leads your TSO and the vibrant voices of the Toronto Mendelssohn Choir along with four outstanding soloists in a resplendent rendition of Handel’s beloved oratorio. Gather friends and family for Toronto’s grand musical holiday tradition—a majestic performance that will leave you singing "Hallelujah!"

Jean-Sébastien Vallée: Conductor & TMC Artistic Director

Sherezade Panthaki: Soprano

Nicholas Burns: Countertenor

James Ley: tenor

Enrico Lagasca: Bass-baritone

Toronto Mendelssohn Choir

Toronto Symphony Orchestra

View Event →
Strauss: Intermezzo
Dec
9
7:00 PM19:00

Strauss: Intermezzo

First performed in Dresden in 1924, Richard Strauss’s Intermezzo provides all manner of insights into his turbulent married life. A comedy with symphonic interludes in two acts.

(Libretto by the composer)

Performed in German with German and English supertitles

Starting Time: 7 pm

Venue: Semperoper Dresden

Free introductory talk held in the Semper Opera House cellar 45 minutes before curtain-up

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Strauss: Intermezzo
Dec
4
7:00 PM19:00

Strauss: Intermezzo

First performed in Dresden in 1924, Richard Strauss’s Intermezzo provides all manner of insights into his turbulent married life. A comedy with symphonic interludes in two acts.

(Libretto by the composer)

Performed in German with German and English supertitles

Starting Time: 7 pm

Venue: Semperoper Dresden

Free introductory talk held in the Semper Opera House cellar 45 minutes before curtain-up

View Event →
Die Zauberflöte (The Magic Flute)
Nov
28
7:00 PM19:00

Die Zauberflöte (The Magic Flute)

Mozart’s most popular opera is a deeply humane story of adventure with heavenly music.

DIE ZAUBERFLÖTE
An opera in two acts, with one intermission
Libretto by Emanuel Schikaneder

Performed in German with German and English subtitles

James will be performing on Sep 6th and 13th; and on Jan 5th, 12th, 19th, and 31st.

Featuring:

Free introductory talk held in the Semper Opera House basement 45 minutes before curtain

View Event →
Strauss: Intermezzo
Nov
24
6:00 PM18:00

Strauss: Intermezzo

First performed in Dresden in 1924, Richard Strauss’s Intermezzo provides all manner of insights into his turbulent married life. A comedy with symphonic interludes in two acts.

(Libretto by the composer)

Performed in German with German and English supertitles

Starting Time: 7 pm

Venue: Semperoper Dresden

Free introductory talk held in the Semper Opera House cellar 45 minutes before curtain-up

View Event →
Strauss: Intermezzo
Nov
21
7:00 PM19:00

Strauss: Intermezzo

First performed in Dresden in 1924, Richard Strauss’s Intermezzo provides all manner of insights into his turbulent married life. A comedy with symphonic interludes in two acts.

(Libretto by the composer)

Performed in German with German and English supertitles

Starting Time: 7 pm

Venue: Semperoper Dresden

Free introductory talk held in the Semper Opera House cellar 45 minutes before curtain-up

View Event →
Strauss: Intermezzo
Nov
8
7:00 PM19:00

Strauss: Intermezzo

First performed in Dresden in 1924, Richard Strauss’s Intermezzo provides all manner of insights into his turbulent married life. A comedy with symphonic interludes in two acts.

(Libretto by the composer)

Performed in German with German and English supertitles

Starting Time: 7 pm

Venue: Semperoper Dresden

Free introductory talk held in the Semper Opera House cellar 45 minutes before curtain-up

View Event →
Strauss: Intermezzo
Nov
1
7:00 PM19:00

Strauss: Intermezzo

First performed in Dresden in 1924, Richard Strauss’s Intermezzo provides all manner of insights into his turbulent married life. A comedy with symphonic interludes in two acts.

(Libretto by the composer)

Performed in German with German and English supertitles

Starting Time: 7 pm

Venue: Semperoper Dresden

Free introductory talk held in the Semper Opera House cellar 45 minutes before curtain-up

View Event →
Cosi fan tutte
Sep
24
7:30 PM19:30

Cosi fan tutte

  • Théâtre des Champs-Elysées (map)
  • Google Calendar ICS

Ana Maria Labin | Fiordiligi
Angela Brower | Dorabella
James Ley | Ferrando
Leon Košavić | Guglielmo 
Miriam Albano | Despina
Alexandre Duhamel | Don Alfonso

Marc Minkowski | direction
Chœur et orchestre Les Musiciens du Louvre

The nineteenth century attempted to consign Così to oblivion. It was accused of being immoral. Yet the work is actually one of the gems of the libertine movement which, despite originally being a literary trend, spread across Enlightenment Europe and fed into many other artistic spheres. Light-hearted, fickle and misogynistic, the work was criticised on almost every level at the time. Yet this is Mozart at his tenderest and most sensual. The libretto is full of delicious permutations and offers musicians a wide variety of situations and vocal ensembles. Is this all about the carefree attitude of youth challenged by the notion of fidelity or is it the perfect guide to the art of loving? Everyone can draw their own conclusion.

Production Théâtre des Champs-Elysées

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Auftakt!
Sep
14
5:00 PM17:00

Auftakt!

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Die Zauberflöte (The Magic Flute)
Sep
13
7:00 PM19:00

Die Zauberflöte (The Magic Flute)

Mozart’s most popular opera is a deeply humane story of adventure with heavenly music.

DIE ZAUBERFLÖTE
An opera in two acts, with one intermission
Libretto by Emanuel Schikaneder

Performed in German with German and English subtitles

James will be performing on Sep 6th and 13th; and on Jan 5th, 12th, 19th, and 31st.

Featuring:

Free introductory talk held in the Semper Opera House basement 45 minutes before curtain

View Event →
Die Zauberflöte (The Magic Flute)
Sep
6
7:00 PM19:00

Die Zauberflöte (The Magic Flute)

Mozart’s most popular opera is a deeply humane story of adventure with heavenly music.

DIE ZAUBERFLÖTE
An opera in two acts, with one intermission
Libretto by Emanuel Schikaneder

Performed in German with German and English subtitles

James will be performing on Sep 6th and 13th; and on Jan 5th, 12th, 19th, and 31st.

Featuring:

Free introductory talk held in the Semper Opera House basement 45 minutes before curtain

View Event →
Scriabin Symphony No 1.
May
28
7:30 PM19:30

Scriabin Symphony No 1.

  • Orquesta de la Comunidad de Madrid (map)
  • Google Calendar ICS

Orchestra and Choir of the Community of Madrid
Young Singers of the ORCAM
Marzena Diakun CONDUCTOR
Josep Vila i Casañas CHOIR DIRECTOR
Ana González CONDUCTOR YOUNG SINGERS
James Ley TENOR
Teresa Iervolino MEZZO-SOPRANO


A. Pärt
Te Deum (1984)

A. Scriabin
Symphony nº1, op. 26 (1900)

A. Pärt
Te Deum (1984)

A. Scriabin
Symphony No. 1, op. 26 (1900)

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Wheaton College Artist Series: Handel’s Messiah
Mar
23
7:30 PM19:30

Wheaton College Artist Series: Handel’s Messiah

Handel’s Messiah is a masterpiece of classical music that has stood the test of time, and is beloved by music lovers the world over. Handel’s exquisite choral and orchestral writing, and a foundational Biblical text find expression in the grandeur and emotional depth of this titanic work. For a fitting Lenten remembrance, come see and hear John William Trotter’s semi-staged Messiah that will be fresh and renewing. The performance will feature soprano Olivia Doig Skaff and tenor James Ley, among others. The acclaimed Wheaton College Concert Choir, a core ensemble for previous major choral works, will enfold the new Armerding Concert Hall with this powerful rendition of this iconic work. The Concert Choir will be joined by distinguished guest soloists and string orchestra.

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Aarhus Symphony Orchestra Britten's Nocturne
Feb
8
7:00 PM19:00

Aarhus Symphony Orchestra Britten's Nocturne

With Aarhus Symphony Orchestra, Christoph Koncz conducts Britten’s Nocturne with soloist James Ley making his debut in the house. The performance takes place on 8 February. The programme also includes Brahms’ Variations on a theme of Joseph Haydn, and Haydn’s Symphony No.100 (The Military).

A poetic and passionate concert that shows how the genius of the past shines as a frame of understanding for the future - and hits us with raw and authentic emotions.

The light and the dark - the past and the present. These are the contrasts that we encounter in Brahms, Britten and Haydn.

The "Military Symphony" is a whirlwind of energy, humor and surprises. Haydn plays with the contrast between the idyllic and the warlike: Here there is both stately elegance and humor – and a touch of very real horror in the encounter with the horrors of war.

Brahms shows all his love for the music of his great predecessors in the variations on a theme from Haydn's time. It is absolutely wonderful music that radiates Brahms' joy in exploring the great musical community.

We round off the concert with an encounter with the dark at Britten's. Through the greatest English poets, Britten shows us the restless universe of death and sleep. Nocturne is varied and playful music – and the piece gives us a chance to hear a number of the orchestra's musicians in a solo role.

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Scriabin Symphony No 1
Nov
23
8:00 PM20:00

Scriabin Symphony No 1

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In Copenhagen, James Ley makes his debut as the tenor soloist in Scriabin’s Symphony No.1 with Danish National Symphony Orchestra led by Chief Conductor Fabio Liusi. The concert takes place on 23 November at the DR Konserthus and is broadcast live on Danish Radio and recorded for CD release.

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KATYA KABANOVA
Nov
10
7:00 PM19:00

KATYA KABANOVA

KATJA KABANOVA
Opera in three acts

Leoš Janáček / Music
Leoš Janáček / Libretto
based on Alexander Ostrovsky’s drama The Storm, translated by Vincenc Červinka

4th, 6th, 8th and 10th of November 2023
Grieghallen

Sung in Czech, surtitles in Norwegian and English
Duration 2 hour 15 minutes, including 30 min intermission after act 2.

ON STAGE
Ausrine Stundyte / Katja
Stephan Rügamer / Tichon
Katarina Daylaman/ Kabanicha
Håvard Stensvold / Dikoj
Ladislav Elgr / Boris
Arnheiður Eiríksdóttir / Varvara
James Ley / Kudrjáš
Ludvig Lindström / Kuligin
Siv Oda Hagerupsen / Glaša
Mathilda Bryngelsson / Fekluša

Bergen Philharmonic Orchestra 
Edvard Grieg Vocal Ensemble and singers from the Bergen Philharmonic Choir

A new production by Bergen National Opera
Presented by Bergen National Opera in collaboration with Bergen Philharmonic Orchestra and Edvard Grieg Choirs

CREATIVE TEAM
Jiří Rožeň / Conductor
Barbora Horáková Joly / Stage director
Thilo Ullrich / Set design
Eva-Maria Van Acker / Costume design
Sascha Zauner / Lighting design
Håkon Matti Skrede / Chorus master

Ingunn Korsgård Hagen/ Asst. conductor
Ann-Terese Aasen/ Asst. stage director

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KATYA KABANOVA
Nov
8
7:00 PM19:00

KATYA KABANOVA

KATJA KABANOVA
Opera in three acts

Leoš Janáček / Music
Leoš Janáček / Libretto
based on Alexander Ostrovsky’s drama The Storm, translated by Vincenc Červinka

4th, 6th, 8th and 10th of November 2023
Grieghallen

Sung in Czech, surtitles in Norwegian and English
Duration 2 hour 15 minutes, including 30 min intermission after act 2.

ON STAGE
Ausrine Stundyte / Katja
Stephan Rügamer / Tichon
Katarina Daylaman/ Kabanicha
Håvard Stensvold / Dikoj
Ladislav Elgr / Boris
Arnheiður Eiríksdóttir / Varvara
James Ley / Kudrjáš
Ludvig Lindström / Kuligin
Siv Oda Hagerupsen / Glaša
Mathilda Bryngelsson / Fekluša

Bergen Philharmonic Orchestra 
Edvard Grieg Vocal Ensemble and singers from the Bergen Philharmonic Choir

A new production by Bergen National Opera
Presented by Bergen National Opera in collaboration with Bergen Philharmonic Orchestra and Edvard Grieg Choirs

CREATIVE TEAM
Jiří Rožeň / Conductor
Barbora Horáková Joly / Stage director
Thilo Ullrich / Set design
Eva-Maria Van Acker / Costume design
Sascha Zauner / Lighting design
Håkon Matti Skrede / Chorus master

Ingunn Korsgård Hagen/ Asst. conductor
Ann-Terese Aasen/ Asst. stage director

View Event →
KATYA KABANOVA
Nov
6
7:00 PM19:00

KATYA KABANOVA

KATJA KABANOVA
Opera in three acts

Leoš Janáček / Music
Leoš Janáček / Libretto
based on Alexander Ostrovsky’s drama The Storm, translated by Vincenc Červinka

4th, 6th, 8th and 10th of November 2023
Grieghallen

Sung in Czech, surtitles in Norwegian and English
Duration 2 hour 15 minutes, including 30 min intermission after act 2.

ON STAGE
Ausrine Stundyte / Katja
Stephan Rügamer / Tichon
Katarina Daylaman/ Kabanicha
Håvard Stensvold / Dikoj
Ladislav Elgr / Boris
Arnheiður Eiríksdóttir / Varvara
James Ley / Kudrjáš
Ludvig Lindström / Kuligin
Siv Oda Hagerupsen / Glaša
Mathilda Bryngelsson / Fekluša

Bergen Philharmonic Orchestra 
Edvard Grieg Vocal Ensemble and singers from the Bergen Philharmonic Choir

A new production by Bergen National Opera
Presented by Bergen National Opera in collaboration with Bergen Philharmonic Orchestra and Edvard Grieg Choirs

CREATIVE TEAM
Jiří Rožeň / Conductor
Barbora Horáková Joly / Stage director
Thilo Ullrich / Set design
Eva-Maria Van Acker / Costume design
Sascha Zauner / Lighting design
Håkon Matti Skrede / Chorus master

Ingunn Korsgård Hagen/ Asst. conductor
Ann-Terese Aasen/ Asst. stage director

View Event →